Included with the review model was an M782 threaded mounting clip, a 'pencil-case' style carrying pouch, and an XLR cable with a right-angled plug at the female end. What makes the M82 somewhat unusual (although not unique — see 'Alternatives' box) is its two 'voicing' switches, marked Kick EQ and High Boost. You may login with either your assigned username or your e-mail address. This is said to eliminate the 'boxy' character of some kick drums. May 26th, 2013 at 10:47 am. Why Are Some A-B Stereo Arrays Angled Outwards? Favorites for me were the Beta 52, RE320 + kick EQ, M82 with Kick + High Boost. Telefunken's range of mics includes premium valve and solid-state capacitors (both small- and large-diaphragm types), as well as a selection of moving-coil dynamic models, of which the latest is the cardioid M82. Most of the mic's body is given over to a dual-layer metal grille, while all the metalwork is finished in a matt-black powder coating. In fact, getting rid of some of those mids drew my ear to the low-end sustain, and so as well as cleaning up the sound a bit, it seemed to add more weight too. Today we take a look at the Telefunken M82, Kick Drum / Broadcast Dynamic Microphone. All rights reserved. The Kick EQ switch invokes a broad cut between 100Hz and 1kHz, which reaches its deepest (-7dB or so) just below 300Hz. . I use the latter on kick a lot when recording reggae, or any style that suits a fairly laid-back, 'not-too-up-front' sound. There are a couple of narrow peaks, centred around 9kHz (+3dB) and 6kHz (+6dB). Telefunken Elektroakustik M82 4.75 out of 5, based on 1 Review A flexible kick drum dynamic microphone that also excels with voice overs, bass amps, and brass instruments. There was a slightly boxy quality to the sound, but switching in the Kick EQ (mid-cut) cured this completely. The plot indicates that the mic is more or less flat between 40Hz and 10kHz, with the low end rolling off gently (-6dB at 30Hz), and the high end dropping off more rapidly, being around 30dB down at 20kHz. The literature states 25Hz to 18kHz, although the accompanying graph suggests that this is within a large tolerance of around +6dB/-10dB. Without it, the mic sounded satisfyingly weighty and authoritative, but with the switch engaged the impression was of the mic sounding more airy, if a little less bass-heavy. While I thought the flat setting would work well for older styles of music (blues or jazz, say), the high boost didn't add much of use. Q. Re: One Synth Challenge V - The Filter Strikes Back! I set the mic up so that its capsule was poking a couple of inches or so into a Pearl Masters-series 24-inch kick drum via a port in the resonant head. Telefunken Elektroakustik +1 800 882 5919. The final voicing on offer was the combination of high boost and no mid-cut, which I didn't find quite so useful. The aforementioned switches are both labelled, with the text being accompanied by handy 'mini-response-plot' graphics. The M82's nominal frequency response is fairly typical of a moving-coil mic. In terms of look and feel, the M82 is what I would describe as 'stocky'. Both affect the frequency response, with the latter introducing a high-end boost that is around 2dB up at 2kHz, rising to 9dB up at 10kHz. Telefunken's range of mics includes premium valve and solid-state capacitors (both small- and large-diaphragm types), as well as a selection of moving-coil dynamic models, of which the latest is the cardioid M82. I should also note that the Heil was significantly more sensitive (over 20dB), requiring me to both engage a pad and back off the gain a bit to get the same sort of level. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Buy the Telefunken M82 (Amazon)Global: http://geni.us/telem82Subscribe For More Videos: https://www.youtube.com/podcastage?sub_confirmation=1Become a Member: https://www.youtube.com/channel/UCvOU-zTlankT-JjN3ZzvuKA/join00:00 - Intro00:28 - Disclaimers / Price / Setup00:46 - What’s in the Box01:12 - Build Quality01:40- Specifications01:58 - Switch Test (Different Modes)02:20 - Polar Pattern Test02:40 - Background Noise Test02:48 - Proximity Effect / Distance Test02:57 - Plosive Rejection Test03:05 - Music Test04:34 - Pros \u0026 Cons 05:07 - Overall thoughts06:02 - Conclusion / Recommendation06:39 - OutroMy YouTube Kit: https://podcastage.com/studioMy Favorite XLR Mics: https://podcastage.com/rev/favxlrMy Favorite USB Mics: https://podcastage.com/rev/favusbNOTE (FULL DISCLOSURE): If you purchase an item using my amazon link, it provides me a small referral fee. until now. With the HF boost also engaged, the sound became predictably more scooped and modern-sounding. This thing just doesn’t meet expectations you will have for a $400 microphone when it comes to Spoken Word, Singing, Electric Guitar, or Acoustic guitar. Where it could come in handy, though, is when using the M82 to mic the batter head of a kick from the outside, where the right-angled connector should buy you a bit more manoeuvrability between kick pedals, snare stands, cymbal stands and so on. The D12 VR with mid scoop and LF/HF boost sounded pretty good up close to the batter. I also compared the M82 with the Heil PR30 also a large-diaphragm dynamic mic. Both of these switches can be used simultaneously or independently, giving the mic a total of four different tonalities. I preferred nearly all the mics and EQ settings in the farther positions. You can hear audio files of all of my kick-drum and spoken-word tests at http://sosm.ag/nov13/m82-media. The mic weighs a reassuringly substantial 635g, and in the hand it has a weight and size not too dissimilar from that of a full can of beer. This is not an unusual combination for a dynamic cardioid microphone. Employing a capsule derived from that of the company's earlier M80 handheld vocal mic, Telefunken say the M82 is suitable for a multitude of sources, including bass amps, organs and brass instruments. Moving-coil mics have an inherent tolerance of high SPLs, which is an absolute necessity for a kick-drum mic, while the proximity effect that all cardioid mics display lends up-close vocals a bassy, authoritative, 'voice of god' type quality, which is ideal for radio and TV voice-over work. It is, however, specifically recommended for kick drums and 'broadcast' (spoken) vocals. Although it might seem expensive for a dynamic microphone, the voicing options appear to have been well judged, and as a result the M82 is capable of delivering a very broad variety of kick-drum sounds. ElectroVoice's RE20 is the archetype here and is considered a classic in both roles — you're as likely to see one suspended over a radio mixer as you are to find one mounted inside a kick drum. This is presumably intended to make positioning the mic easier (a welcome consideration, given its relative bulkiness), but I can't imagine it helping much when mounting the mic inside a drum. Telefunken Alchemy Series | Audio Examples. After purchasing the Telefunken M82 it is almost a dead toss up for my personal mic preference depending on which size kick drum I'm using. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. This setting made very light work of getting an aggressive, pokey, hard-rock kick drum, and would even suit heavier metal styles, which tend to require a very clicky, 'popcorn' kick sound in order to cut through a wall of guitars. And if you can't decide on a capacitor or dynamic kick mic, both Audio-Technica and Lewitt make dual-diaphragm models. Web site designed & maintained by PB Associates & SOS. The two sounded most similar with the M82 in mid-cut-only mode, with the Telefunken having slightly more high-end 'slap' and the Heil displaying a bit more presence in the upper mids. Telefunken M82 Broadcast Dynamic Mic Review / Test - YouTube Here, the different EQ settings were even more obvious, with the high-boost switch really coming into its own, lending the M82 a very capacitor-mic-like sound where it had previously been a hint muffled. Curiously, given that it's not really marketed as a kick mic, the Heil also seemed to have a bit more going on in the extreme lows — although the differences there were quite subtle. The two vertical supports that, along with a metal ring around the top of the mic, provide structure to the grille have text informing you in no uncertain terms that this is an end-address mic (they even have large arrows pointing towards the mic's sensitive side). Why does Liam Gallagher's vocals sound shit. It never once sounded bad, and in some settings, it sounded very good indeed. The latest mic from the Telefunken stable has no fewer than four different voicing options. First Look: Pro Tools | Carbon. I couldn't decide whether I preferred the Kick EQ switch in or out on vocals. Is this the last kick-drum mic you'll ever need? Finally, I tried both mics on my own spoken voice (I've used the Heil before on podcasts and find it works very well for this). I can think of two other dynamic kick-drum mics that offer different voicing options: the similarly priced AKG D12VR and the slightly cheaper ElectroVoice RE320.