…the B dominant seventh (flat ninth) chord (which is the passing chord) consists of notes that are foreign to the key of C major: D# and F#. “Check It Out…” Example #1 – Thank You Lord (without th… in Chords & Progressions,Experienced players,Piano. Why do you call the C dominant seventh a flat ninth in parenthesis? The progression starts with a G major chord and moves downward by semitones to Em through Fs and F. While the G chord belongs to E minor, Fs and F are simply serving as passing chords as the progression moves to Em. Passing Chords are the single most powerful tool for modern Gospel pianists, and YOU can achieve that sound as well. Credit: Illustration courtesy of Desi Serna. He owns and operates one of the most popular guitar theory sites on the web, guitar-music-theory.com. You also hear chromatic chord movement from I up to a major III chord and from IV down to a major II chord. Also in the key of A major: For instance, “Bold as Love” places a Gs chord between G and A, fVII and I, at the end of measure 8 just before the beginning of the chorus. So, the Eb dominant seventh (flat ninth) chord: So what are the notes of these chords? …the D minor ninth chord (which is chord 2): The song also features a chromatic movement in the introduction with the chords Ef-E-F. Hendrix uses chromatic passing chords in other songs, too. …and that’s the Eb dominant seventh (flat ninth) chord: C# dominant seventh (flat ninth) chord: Passing Chords Explained. Bb dominant seventh (flat ninth) chord: …resolves to the D minor ninth chord: Alright, now that we’re done with passing chords, let’s proceed to learning a passing chord you can apply right away. EVERY TIME I read these emails I have to stop and check this stuff on a piano – so awesome! …produces the C dominant seventh (flat ninth) chord: Therefore, instead of the regular progression to the 3 from the 1, the passing chord is used to connect the chords. G dominant seventh (flat ninth) chord: Wow! Onye lives in Dubai and is currently the Head of Education at HearandPlay Music Group and the music consultant of the Gospel Music Training Center, all in California, USA. Basics of Chromatic Passing Chords on the Guitar, Getting to Know the Notes on a Guitar Fretboard, Guitar Theory: Roman Numerals and the Major Scale Chord Sequence. Onyemachi "Onye" Chuku (aka - "Dr. Pokey") is a Nigerian musicologist, pianist, and author. If we substitute the G7 for its tritone substitute, we get D-7, Db7 and C. And if we play both dominant chords one after another we can view Db7 as a passing chord into Cmaj7. So, here’s the G dominant seventh (flat ninth) chord: The dominant seventh (flat ninth) chord can be applied a half-step above any given major or minor chord. If you’re craving another Hendrix song with this type of passing chord, check out “Little Wing,” which features a chromatic passing chord between Bm and Am in measure 5. However, we’ll be focusing on the use of the diminished seventh chord of the third tone. …is chord 4, the D major ninth chord can be approached using a dominant seventh (flat ninth) chord that is a half-step above D: In the key of C major, a 251 progression would be D-7, G7 and Cmaj7. …over E on the bass: { 4 comments… read them below or add one }. The song also features a chromatic movement in the introduction with the chords Ef-E-F. Hendrix uses chromatic passing chords in other songs, too. In the case of connecting chord 1 and chord 3 in the key of C major with the passing chord: Is this not right? For example, if a chord progression in the key of C major: …should progress from chord 1 (the C major seventh chord): …to chord 3 (the E major seventh chord): Both chords can be connected by a passing chord: …which is the B dominant seventh (flat ninth) chord. Who Else Needs Extra Help On Third Intervals? “The Wind Cries Mary” by Jimi Hendrix uses a chromatic passing chord like the one shown here. B dominant seventh (flat ninth) chord: There are so many ways to approach the formation of the dominant seventh (flat ninth) chord. For example, when a progression moves from V to IV, which are a whole step apart, you can add a chromatic passing chord between them to smooth out the transition. …which is D: Example #2 – Thank You Lord (with the passing chord). …which is the B dominant seventh (flat ninth) chord. Therefore, instead of the regular progression to the 3 from the 1, the passing chord is used to connect the chords. They may or may not be in the key you’re in. And how am I going to meet these deadlines when I keep stopping to whack out chords! For instance, “Bold as Love” places a Gs chord between G and A, fVII and I, at the end of measure 8 just before the beginning of the chorus. In the key of C major: …Lord (chord 3): …which is the B diminished seventh chord: “Here’s Another Example…”. …which is the G# diminished seventh chord: For example, the C dominant seventh (flat ninth) chord: The G dominant seventh (flat ninth) chord can be formed by playing the diminished seventh chord of the third tone of the G major scale: In this course, I have identified the seven most used passing chords in Gospel music, and I teach it all in the key of C. The chords in C will root on the notes along the C major scale, since all chords in a major key are formed by notes from their respective diatonic scale. So, here’s the E dominant seventh (flat ninth) chord: It uses the progression I-II-III-IV-V in the key of G, all major chords with chromatic passing chords between I-II and II-III. So, the Eb dominant seventh (flat ninth) chord: Yes, that’s correct. That said, apart from the fact that passing chords connect two chords, they are chromatic. A proof of the pudding is in the taste, right? Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. …where the D major ninth chord: Eb dominant seventh (flat ninth) chord: The following two tabs change content below. “Bad, Bad Leroy Brown” by Jim Croce features the same type of progression. Previous post: Fourth Voicings Every Jazz Pianist Must Not Be Without, Next post: Here Are Left Hand Ideas For Starters On The Piano. Chord I, C major consists of the notes, C – E – G, while C major seventh consists of the notes, C – E – G – B.; Chord ii, D minor consists of the notes, D – F – A. Oh, if you're a beginner guitar player and lost track already, you'll want to get familiar with the major scale on guitar before continuing this lesson. Lowering the ninth tone of the C dominant ninth chord: All the best! A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." C dominant seventh (flat ninth) chord: Inspired by his role model (Jermaine Griggs) who has become his mentor, what he started off as teaching musicians in his Aba-Nigeria neighborhood in April 2005 eventually morphed into an international career that has helped hundreds of thousands of musicians all around the world. All I need is your undivided attention. PASSING CHORDS!!! Passing Chords are the single most powerful tool for modern Gospel pianists, and YOU can achieve that sound as well.