From basics like the Renaissance Compressor, to multiband masters like C6, to vintage models CLA Classics and PuigChild 660 & 670, Waves compressor plugins keep your dynamics in check. However, when it comes to controlling dynamics, I use Waves C4 Multiband Compressor Plugin . One of those legends is the Teletronix LA-2A. Sure I like to use Live’s Glue Compressor as the first effect on my drum bus. For example, you can hit the low-end hard with compression without affecting the high-end every time the kick hits. The SL 4000 from SSL could be considered the quintessential analog mixing console. This is the go to plugin when compressing bass or vocals. Adjust the release time so that the compression moves nicely in sync with your material, creating movement or glue. Among all hardware compressors, there are a couple that stand out as studio legends. From industry-standards such as the L2 Ultramaximizer, to vintage models such as Abbey Road Vinyl, to precise meters such as the WLM Plus Loudness Meter, Waves offers a wide range of mastering tools to improve your sound. https://theproaudiofiles.com/compressor-plugins-for-mastering 3758b9b5-045c-4b7d-b020-80f9b068d990 This compressor does not have a mix knob so be careful with the fast attack settings. ... 500 series, and SSL X-Rack module as well as in VST plugins from UAD and Waves. I've had situations where smashing the master bus with an analog style warm and dirty compressor just made everything sound fantastic. The digital contenders were the two versions of The Glue, the UAD 4k Buss Compressor and the Waves SSL Compressor — the two latter being used by many industry professionals. Universal Audio Teletronix LA-2A. Glue compression forces "interaction" between sounds by reacting to all the audio input. Waves SSL G-Master Buss Compressor Tips. In the 70s G Series Bus Compressor has gained popularity for its signature tone and glue which provides better mixes. G-Series provides a punchy and huge sound to your mix. Perhaps its most charming feature is its bus compressor—especially the version found in the classic G-Series consoles. From my experience, the only difference between a glue compressor and a regular compressor (fruity comp or fruity limiter) is just that they don't have the dry wet knob and range knob that the cytomic and waves emulation of the glue compressor have. If you need a way to add the glue and polish to your mixes, check out the Waves SSL G-Master Buss Compressor. I tested against a few things; bass, drums, parallel. Waves SSL G-Master Buss Compressor. Anyway, I was testing Glue Compressor against a variety of Waves plugins: Waves CLA-76 Waves CLA-2A Waves SSL Bus Comp Now these are all different styles of compressor (1176, LA2A & SSL) but I felt the best all rounder, and often the best sounding, was the Glue Compressor! Attack settings of 10 or 30ms are the safest. It provides the glue and punches for that every mix and mastering engineers likes. It doesn't have a specific utilitarian purpose, it just makes stuff sound good. You don’t want to kill your transients. The Glue Cytomic 64-bit V 1.3.12 (VSTi/AAX) Windows 7,8 and 10 Instructions: attached Direct Download (139 MB)