Both come in stylish aluminium flight cases and are complete with shockmount and foam wind shield. The lunch box case was entertaining, but the shckmount was NOT--big PITA. Bang For The Bucks: I give it a 3. No response curves are provided with this microphone, though I managed to get some from the designers that show the mic to have a very subtle presence lift centred at around 10kHz combined with a gentle bass roll-off below 100Hz. The Studio Projects C1 fixed pattern large diaphragm studio condenser mic is the perfect case study for microphone hype, in both senses of that word. The large diaphragm 'stealth flattery' signature is definitely there and, while the top end may be a little more clinical than you'd expect from a tube or transformer model, it is adequately restrained and never crosses the line from transparency to brashness. Mastering Essentials Part 3 - How loud should I master? Although the Studio Projects models may initially seem a little more costly than their UK competition, keep in mind that they come in a particularly nice foam-lined aluminium case with a foam wind shield and a well-engineered shockmount. I have used it on acoustic guitar and vocals, and it seems to do a good job. With a quoted frequency response of 20Hz to 20kHz (which is incompletely specified insomuch as there's no mention of how much deviation is present at these limits), the C1 comes equipped with a recessed three-way toggle switch that can select a 10dB pad, a low-cut filter (150Hz, 6dB/octave) or a flat response. I find that it is indeed wonderful with acoustic guitar with very little eq, and definitely male vocals; but not as good with female vocals. The Studio Projects C1 is a large diaphragm, fixed-cardioid condenser microphone employing a 1.06" (27mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. That was enough for me, I ordered a pair immediately and have since replaced one that was stolen. Glad I tried it, now I know better to stay away from this mic. I do have to say that the shock mount is one of the worst I've encountered. The case and grill are constructed very solid. I have actually owned the stock version and also a modded version from one of the fellas that offer the mod online. The C1 is attractive and housed in a heavy cylindrical aluminum case about eight inches long and a little over two inches wide. 5.0 out of 5 stars Studio Projects C1 kicks butt !! I totally expected Rip to trash the mic, especially considering Rip’s past opinions regarding Chinese-made mics. In cardioid mode, in particular, this can lead to some phasey coloration which lends the sound a slightly boxy or nasal quality. vocals) sound too bassy. Brighter and louder than an AKG 414, more mid punch than an Audio Technica 4050 the C1 straddles the versatility curve like a drunk Texas girl on a mechanical bull. It's average at best and those that are saying it's better than a lot of expensive mics out there I beg to differ. I love this microphone. PreSonus StudioLive 32SC Series III Mixing Console. One Synth Challenge V - The Filter Strikes Back! The capsule comprises two diaphragms in order to implement the three polar patterns. I had better results with a mobilepre and the Perception 100 combo for vocals... The Studio Projects C1 is a very popular and inexpensive microphone. I wouldn't begrudge a beginner or budget-minded using this mic, but to my ears it's pretty bad -- very brittle, and largely unusable. The Studio projects C1 is a thorn in the side of this ritualistic cabal. For immediate, in your face toppy voice it was actually quite great. Re: One Synth Challenge V - The Filter Strikes Back! I felt like I could hear spit on the lip. The original Studio Projects C1 microphone is a transformerless FET condenser with a large-diaphragm K67-style capsule and switchable pad and filter. A 737 Audio Chinese mic, it was was one of the first to dawn on my gassing, gear slut attention as an affordable alternative to the larger than life vocal mics we all fetishize and covet and (mostly) can't afford. Both come in stylish aluminium flight cases and are complete with shockmount and foam wind shield. The Studio Projects C1uses a 1-inch, 6-micron, center-connected gold-sputtered capsule with a transformerless FET amplifier. The C1 is attractive and housed in a heavy cylindrical aluminum case about eight inches long and a little over two inches wide. It doesn't sound as hyped and sibilant as many other Chinese mics in its price range. Definitely in someones cabinet with no Neumann mic or other $1000+ pieces, I can see that it would find its place maybe not in every recording; but some. It will enhance any professional or project studio … Guess it just shows you need to have a microphone locker with several types of mikes for different purposes. For the budget musician, I do not see how you can go wrong with this microphone as almost an all purpose large-diaghraphm condenser for all of your recording needs. I have a cabinet full of mid to high quality mics including Neuman, Sony, AKG, AT, Rhodes, Sanheiser etcetcetc.. to this day for Male Vocalists with a darker vocal character, Spoken and voice over, acoustic guitars, piano, bass guitar and other "sources" I use the C1''s. Not even taking the price of the C1 into consideration, this mic stood up to some rather hefty opponents, and emerged as a contender" All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Phantom power of 48 Volts is required. K67 derivative. All rights reserved. Studio Projects C1 The Studio Projects C1 condenser microphone is a large diaphragm cardioid microphone in a pressure-gradient transducer employing high quality transformerless design and extremely low noise. As with any mic, you must experiment in setting the mic and mic … I'm currently using mine on drums on the floor tom side and it doesn't make the ride cymbal sound nasty like many LDCs in its range will. Hype and hype! See more customer reviews at the bottom of this page. I didn't find the sound had any obvious character other than that expected from a large-diaphragm capacitor mic, and to be honest there are other low-cost capacitor mics that sound fairly similar, but I found nothing at all to complain about in the detailed, full and confident sound these mics produced. At the time, I was getting by with a pair the much maligned AKG C3000. Frequency response is the expected 20–20KHz. Now, I have to say I was surprised by the review. The capsules are a little over one inch in diameter and utilise a centre-electrode, six-micron gold-sputtered mylar diaphragm — a design strategy that follows that of vintage European mic capsules. You get what you paid for. The sensitivity, at 14mV/Pa, is in the same ball park or better than a number of other mics I used for comparison, and the signal-to-noise ratio is 77dB, again a typical and respectable figure for this type of microphone. The C1 has a fixed cardioid pattern.Photo: Mike CameronStudio Projects are based in California, but, in common with many other companies offering low-cost capacitor microphones, the manufacturing is actually undertaken in China, in this case by 797 Audio. Both models work very well on vocals and are sensitive enough to use with acoustic instruments such as guitars, hand percussion and strings. In my personal opinion I absolutely love the un-modded version more. Web site designed & maintained by PB Associates & SOS. These were not the same, not nearly as musical or useful. Reviewed in the United States on October 14, 2011. In this case hear it. C1 cardioid capacitor microphone £207; C3 multi-pattern capacitor microphone £349. Great mic for those on a budget, reminiscent of the U87 but with a fixed cardioid pattern, is a relatively natural sounding mic, not a strong character mic but i found this mic very useful on nylon guitar also used it as a top mic for clarinet recording on some songs on the CD "Paulo Moura & André Sachs - Fruto Maduro" (the mic setup for Paulo Moura's clarinet changed all the time) . Do I recommend this mic for anyone..? [/B] In fact the overall tonal balance is really very good, and if you use the mic at a moderately close distance to invoke just a little proximity effect, the low end warms up considerably. Features: It has some switches on the back which I thought were cool. On the other hand, if you need a mic that will work well with a number of different vocalists and instruments, either of these models will fit the bill nicely.