Further specifications reveal that the RØDE NTG2 Condenser Shotgun Microphone has an output impedance of 250Ω coupled with a maximum output level of 6.9mV, but these probably wouldn’t mean much if you aren’t a techie. The TAKSTAR SGC-598 is the best low-budget DSLR microphone – it runs about $30. If that didn’t excite you yet, it would be worth noting that it also has two slots for two AA batteries which can last you for over 10 hours. The included stereo headphone output allows you to hear what you’re recording in real-time (here are some great headphone options). While it has just a single slot for an AA battery, the TAKSTAR’s SGC-598 can manage to record for about 100 hours on just a single battery. The main reason is the fine boost control that you don’t see on other similar mics – you can change the gain up to +60dB in 1dB increments – allowing you to get the perfect level right on the mic! On-camera shotgun microphones are an easy way to up your audio quality when recording with a DSLR video camera. It has a cardioid pickup pattern (vs super cardioid with the other 3 above). If you have a small, compact DSLR, then you don’t want a shotgun mic that will topple over your device (and maybe even the tripod it’s connected to). Despite the price point, this shotgun mic for DSLR comes equipped with sensitivity and attenuation adjustment features which make recording easier. Rode is famous for two things – offering their customers outstanding audio-recording devices… Seriously, anyone who’s anyone shooting YouTube videos in the field will be using this mic. ➡️ Click here to get a comparison of the top 3 podcast hosting companies. The Sennheiser MKE 600 is excellent for stationary video. First of all, there are three different power options, so you can rely on this mic … Copyright © 2020 — Paid Insights, LLC • All rights reservedA Quandary Media property. It comes packed with impressive specifications such as a high frequency range of 20Hz – 20KHz which makes it super sensitive to even the lowers of frequencies. Don’t be fooled, however. As an Amazon Associate I earn from qualifying purchases.Amazon and the Amazon logo are trademarks of Amazon.com, Inc. or its affiliates. ). This is a must-buy if you want the best. It uses AA batteries, has a Rycote Lyre suspension system, and is built to last. The Rode VideoMicro is the smallest shotgun microphone in the Rode VideoMic lineup. If you’ll be using it with your DSLR, you certainly don’t want to hear sounds of the lenses of the camera moving, and the RØDE NTG2 Condenser Shotgun Microphone can insure you that. The Saramonic VMIC Recorder is an awesome shotgun mic for DSLRs. The Rode VideoMic Pro+ expands on their previous high-end on-camera shotgun mic (below) with some extremely useful features. RØDE VideoMic Pro+ Weighing in at just 1.34 lbs., the RØDE VideoMic Pro+ is a condenser shotgun … Highlights include: The low-end pickup range has been increased from 40Hz to 20Hz, you get a 2-stage high-pass filter at 75Hz or 150Hz, and selectable gain options for -10dB, 0dB, or +20dB. That means they must point straight at the sound source to record proper audio. Apart from being RØDE’s flagship microphone in its category, the VideoMic Pro+ has a more improved RF-immunity compared to the other microphones under the series. Instead, you'll want one of the best shotgun mics available today. It also comes with a furry windscreen, making it a great value. Afterall, microphones don’t necessarily require a lot of juice compared to something like an external flash. Regarding build, a lot can be said about its design and consequently its lifespan. Editor’s Rating: 4.8/5. Auto power on/off (yes!) Designed with a tube shaped-body, it can pick sounds from a longer distance when compared to other types of microphones. For that, you get a +10dB boost and a 200Hz high pass filter that runs on a single AA battery. Even though the price tag is under $50, you will get a far better sound quality than anything your camera can currently offer. People who are drawn to the TAKSTAR SGC-598 are mostly those who are exploring the world of shotgun MICs for the first time but don’t wish to fully dedicate their time and resources towards sound quality. The following 5 microphones are in descending order of price, quality, and features, from highest to lowest. The gain on the on the microphone can be adjusted in three different stages: -10dB, 0dB, and +20dB. It can be confusing to understand which one to get, so we’ll try to simplify it for you. The noise level is very low too. For one, it can be your typical shotgun MIC that focuses on audio coming in strictly from the front of the camera. Choosing a shotgun MIC should be greatly dependent on your needs in the first place and the quality of sound you wish to get at the end of the recording. Being highly directional, the shot microphone should be targeted directly at the source for better clarity. It’s a battery-operated microphone that needs a 3A battery. The Canon DM-E1, for instance, works as a shotgun mic and as a stereo MIC. Initial specifications reveal that the NTG2 is far lighter as it weighs just 5.8 ounces. with a detachable cable. If you get one of these DSLR microphones and are having issues with the camera picking up lots of static and background noise when someone stops talking, it is likely due to automatic gain control (AGC) on the camera. The boom pole itself runs $35-$40, so it’s a no-brainer to get the Rode VideoMic Pack over just the mic itself. All this is possible thanks to its two-stage high pass filter that removes low frequency sounds and a high frequency boost to further improve clarity of the sound output. Build quality, on the other hand is far lower than what we have reviewed so far, but you shouldn’t really blame TAKSTAR for aiming a bit low while offering the MIC at such a price. If you want the cheapest option, this is it, but I would suggest trying to raise your budget slightly. Its windscreen reduces peripheral sound from outside noises while its creative shock mount construction helps in limiting the amount of camera operation noises that would have otherwise ended up in your recording. Hands down the best shotgun mic for DSLR cameras on the market, the perfect choice for beginners and professionals alike. Convenience was also a big consideration during the design of this product as it has a built-in rechargeable battery which lasts for ages. What’s better than landing on a MIC that shares the same brand name as your DSLR? Its base frequency response of 50Hz to 16KHz may not be as high as that of other shotgun microphones, but this is still good enough when you look at all the features that the DM-E1 offers you. Still an excellent choice for about $90 less. Safety channel (records audio at lower gain setting in case of spiking), New battery door and battery (can also use AA batteries! Its frequency response is equally identical to the VideoMic Pro+ which is at 20Hz to 20KHz. A 50Hz to 16KHz frequency range isn’t particularly anything to be too excited about, but it is something that can do the job and keep you going. Important Facts for Buying Shotgun Mics for DSLR Cameras: A microphone is always helpful for using with camera for recording video irrespective of the size of the mic. If you do need its stereo functionality, you would be better off picking a dedicated stereo MIC like the Shure VP83F LensHopper Camera-Mounted Mic or the RØDENTG2 Condenser Shotgun Microphone. It is meant to be used with a DSLR camera. The self-noise level is extremely low as well. The rather long design of the NTG2 is based on its capability to accommodate a 1.5V AA battery or a P48 phantom power that can be supplied by audio recorders or even power supplies. Like all the VideoMic’s, it includes a Rycote Lyre shock mount, but this one is detachable. It’s used to convert a 3.5mm minijack (that’s what all the VideoMic’s use) to a 3-pin XLR connection for use in devices like high-end video cameras, field recorders, and USB mixers. The super-cardioid capsules ensure … Despite being able to allow wider angles from which you can record sound, the DM-E1 does not compromise on quality.