Set The Drums Wet And Drums Dry Mixer Track Levels In Balance. How To Use Parallel Processing In FL Studio. Let’s begin. Do that for each of the drum mixer tracks. Create a simple drum sequence and use the mixer to set the volume levels between the drums in … How to achieve parallel compression in FL Studio? The 5 Stages of an Electronic Music Producer (How to Make EDM). Hey Hank, do you use any plugins to achieve the actual compression or FL’s native compressor? So you do not need a separate track all you need is to smash the hell out of the track in the compressor settings, then use the mix knob to add only a little. But we are not done yet with the routing. After installing the Rough Rider, drop it to ‘Drums Wet’ mixer tracks fx slot and go extreme. Copyright © 2020 All rights reserved. Copyright © 2008-2020 Loopmasters. Sounds complicated, but once you get used to it, it’s a piece of cake. This way we can control the volume levels and apply processing such as eq which will affect the whole group of drum signals via one mixer track. If I compressed directly on the track channel (mixer channel), the track will be over-compressed and sound squashed. This is a great trick to make your drums sound huge. The little up-arrow on that empty mixer track turns yellow. Working with Samples in FL Studio’s DirectWave, Create A Gated Reverb With Patcher - In FL Studio, Audio & Pitch Correcting with FL Studio's NewTone, Create A 'Lo-Fi' Effect In FL Studio With Bitcrushing & Dithering, How To Make Special Effects With Granulizer. This is also called ‘New York’ compression (don’t ask me why). So simply just click on a mixer track, press F2 and click on that little square box (on the right side in that rename box) and choose the color. This technique is particulary useful with drum compression, as with it you can apply heavy compression to the duplicated drums while retaining the original dynamics of the non-processed version. Welcome to Loop+! Hey my name is Hank i write about and produce edm tracks! In this case there is a boost to the low- and high end and bit of the 1.4-1.5kHz area of the ‘Drums Dry’ mixer track using the track eq. See what I did here with the Softube FET compressor (my favorite parallel compressor): Same principle: fast attack and release times (note that you can change these to fast attack, slow release or slow attack and fast release but the fast times work best for smashing the track). In this case, Rough Rider Fruity Limiter. You do the routing one-track-at-a-time by clicking a drum mixer track and then right click that little up-arrow on a empty mixer track and choose “Route to this track only”. you may start to get confused which track is sending what to where - especially when you start to add more stuff to the mixer tracks. Avoid Phasing By Adding Same Plugins To Both Mixer Tracks. I am using FL 12.3. I used to think I sucked at music and I just downloaded the program in the first place because I needed to tweak some audio for another project. So pick another empty mixer track, click on a drum mixer track and this time, LEFT click on that little up-arrow icon on that empty mixer track so that it turns yellow. Ok. We are going to need another empty mixer track where we route the drums (you can route a signal to as many mixer tracks as you want) - and this mixer track we use to send the non-processed (dry) signal to master track. Now here’s something very important so pay attention: plugin processing delay. As we chose ‘Route to this track only’, the signal will not be sent straight to the master track – ONLY through the chosen mixer track. It makes the track PHAT and THICK. So you do not need a separate track all you need is to smash the hell out of the track in the compressor settings, then use the mix knob to add only a little. But you have to be sure you are not just increasing the volume. So how to do parallel compression on FL studio. But in the ‘Drums Dry’ mixer track, open the Rough Rider, and turn it OFF and set the Fruity Limiter to default settings - as we dont wan’t anykind of signal processing to happen in the ‘Drums Dry’ mixer track. Note that you should use the left click as we are routing the SAME SIGNAL to two separate mixer tracks. Now, create a few more drum patterns with a bit of variation to the groove and listen the end results: So what we did here is use routing to send a drum signal to separate mixer tracks, added a heavy compression to one while leaving the other dry, mixed them together and sent them to a master track through a third different mixer track with Soundgoodizer. Into the ‘Drums Wet’ track we are going to add the compression and ‘Drums Dry’ track we leave dry. The result should be a thicker Kick, snare, and tom performance with more punch and energy. This will simplify the task to mix the drums with other instruments as we don’t have to adjust the settings track-by-track. Delicious Allstars Funk Constructor - Vol 2, Hundreds Of Plugins Exclusive Deals Leading Online Shop. to each individual drum mixer track. When I use Cubase or Logic Pro, I set up a separate buss and load the compressor there and smash it and then blend in the buss to the main track to taste. I'm a complete newbie in everything related to music production, I just downloaded FL studio less than a week ago and I'm loving it so far! This tutorial will show you how to set up parallel compression (also known as New York compression) in FL Studio. This tutorial will show you how to set up parallel compression (also known as New York compression) in FL Studio. We've also ‘beefed’ up the drums a bit by adding a Soundgoodizer to the ‘Semi Master’ -track. Into this track we will add the compression. Design by Scorpion Edge. We hope you enjoy. Note that the attack and release times are at their fastest and the ratio is very high (about 20:1). Pick a set of drum samples – kick drum, snare, closed hihat and open hihat – and drop them to the step sequencer sampler channels and assign each drum sample to an empty mixer track. This technique is particularly useful with drum compression as with it you can apply heavy compression to the drums … Pick a set of drum samples – kick drum, snare, closed hihat and open hihat – and drop them to the step sequencer sampler channels and assign each drum sample to an empty mixer track. The following settings work well with the type of drums used in this tutorial: Ratio 1000:1, Attack 1.0, Release 1.0, Sensitivity -60dB, Makeup 30dB. You can see from the graph on the Fabfilter Pro C that we are really smashing it but I have adjusted the dry mix button to reduce the compression effect on the track. There is also a problem with plugin delay. The same method applies if you want to route it to even more additional mixer tracks, because if you go and right click and choose ‘Route to this track only’, the signal will be routed to ONLY to the chosen mixer track. You might also add a Fruity Limiter to the ‘Drums Wet’ mixer track just to increase the volume level - as the above mentioned Rough Rider settings brings the volume levels down. However, we can still control the volume levels, apply processing, eq, etc. Routing The Drum Mixer Tracks To An Empty Mixer Track. https://www.quora.com/How-do-I-do-parallel-compression-in-FL-Studio. This allows me more room to master the track. Hey! There IS an automatic plugin delay compensation (PDC) feature in FL Studio, but it doesn't always work in a routing situation like this. Routing The "Drums Wet" And "Drums Dry" Mixer Tracks To Empty Mixer Track. I am using FL 12.3. It might be a good idea to color the mixer tracks just to keep things organized as with all this routing, etc.