So how to do parallel compression on FL studio. Most of the big EDM/Trap/Hiphop producers use this technique for drums. Resell the rights to the master, renaming the master, releasing on a record label under your name, distribute or resell the project files and or register the copyrights under yourself or a company. The reason I almost always use Parallel Compression on my lead vocals is to add weight to them, to make them sound bigger than they really are, and to essentially make the vocals really pop in the context of the mix. The way we enable ourselves to send a second “parallel” signal is to set up a Send and physically send that vocal somewhere other than the Vocal Buss. Powerful Parallel Compression. "Big thanks to W. A. Also the Sylenth1 and Spire Sound Libraries are so fresh! If you are struggling to make the vocal sit on top of the mix, or effects like reverb and delay are putting the vocal further away, you can use parallel compression to make sure the vocal sits at the very front of the mix at all times. Highly recommend them!“, “W. There are two ways to set up your session to use parallel compression on the … Parallel Compression for Vocals. Premium Training for the Recording Musician & Aspiring Audio Engineer Of Any Skill Level. Allowing you to get a unique currency and have the opportunity to exchange it for amazing rewards! This here is out Commercial License. Here is the step-by-step process for applying parallel compression: Really helpful for sparking inspiration or adding variety to your music!". I've created Mix Better Now as a platform to share my Mixing, Recording, and Production knowledge with other like minded musicians and aspiring Audio Engineers. I’m a huge fan of using Parallel Compression on many elements of my mixes from drums to vocals to guitars to even the entire mix. The way that we get our end vocal sound is to blend our uncompressed or lightly compressed vocal (send 1) with the heavily compressed vocal sound (send 2). I'll be showing you screenshots from Logic Pro, but the process will be the same in Pro Tools, Ableton, Reaver, FL Studio, and even Garage Band, since they all use the same multi-track mixer workflow. Read on to find out what it really does — and how it can help you make better mixes. I'll be showing you screenshots from Logic Pro, but the process will be the same in Pro Tools, Ableton, Reaver, FL Studio, and even Garage Band, since they all use the same multi-track mixer workflow. Theres a few different reasons that we would want to use parallel compression or parallel processing in general when mixing. W. A. I was amazed by the results and I started using this technique every time I process my vocal ever since. Vocal Parallel Processing. ", "Great collection of samples and sounds. I'm a lifelong musician who's been working in Audio Engineering for the past decade. You are able to use this particular license to learn and or to add some elements in your track. In this tutorial, I will show you how to set up parallel compression (also known as New York compression) in FL Studio. I also love the diversity in the samples and styles they have. Why don’t we utilize it on vocal recording as well? How To Use Parallel Processing In FL Studio Parallel processing is a mixing technique where you duplicate an audio track, add processing (such as compression) to the duplicated audio track, leaving the original signal non-processed (dry), mix them together and send them to the master out. So, I want to briefly talk about one of the most powerful mix tools we have at our disposal… Parallel Processing, specifically, Parallel Compression. This technique can be applied on anything – vocals, drums or even an entire mix during mastering. Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. Please don't hesitate to email me or leave some engaging comments to make this a safe, fun, and educational community! The track that I mix in the video is a Hip-Hop track, and in Hip-Hop its very commonplace when mixing to try and get the emcee’s (rapper) vocals to sound big and impactful to the listener. Pick a set of drum samples – kick drum, snare, closed hi-hat and open hi-hat – and drop them to the step sequencer sampler channels and assign each drum sample to an empty mixer track. But not just in a technical way, but as if the compressor was itself a musical instrument. Production for having some of the best samples & sounds available onlie, They've definitely been part of some of my tracks. ", "I used WA Production sounds in almost every 22Bullets production, where my creativity starts". Have you ever feel that your vocal can’t stand out in your mix even though you have try everything you know about vocal processing? I have a true passion for helping others and paying it forward, so everything I do on here is for YOU. Now, here is a little secret: many compressor plugins already have a mix knob built in. ", "We love how much variety and diversity WA Production samples bring to our projects, we have found much inspiration from the packs. As you’ll see in the video, its an almost identical method to setting up and effect send and return. For FL Studio user, open Fruity Shaper on that send and apply the Haas effect by adding 15ms delay to the right signal. I find you really hear the TONE of the compressor (more-so than doing gentle compression on a track) when using it in parallel because we’re compressing the bejesus out of that duplicated signal and blending that in with the initial one. x_O", "WA sounds and plugins are really dope, we recommend them to all ambicious producers! Parallel compression in simple terms means blending a heavily compressed version of a track back into the main track. The possibilities are endless. I know some people use parallel/NY style compression on vocals, but I never do. © 2020 W. A. I am using FL 12.3. To use something “in parallel” is when we take a signal (lets use VOCALS as an example here since this tutorial is about Parallel Vocal Compression), and we send it to two places. But it doesn’t sound interesting and massive with just mono signal. All of the samples are of high quality and are completely current into today's "EDM" market. Do you use parallel processing techniques on your vocal as well? The interlude from Knights of Cydonia by Muse is a great example of terribly overcompressed backing vocals (even though it kind of works for this context). They are one of the best companies on the market.“, “I’ve gotten great inspiration going thru W. A. sample packs!“, “I love the fresh sounds and samples from W. A. We set up another Buss, send the vocal to that “Parallel Compression Buss”, and then set up the appropriate return. For FL Studio users, I like to use Fruity WaveShaper for parallel saturation and Fruity Limiter for parallel compression. Will definitely use many of them! It may seem very simple to do but all these small details are going to add a lot of power to your vocal. Let’s begin. I mostly only use it on drums to be honest. I'm not sure how you'd even get "punch" on vocals from using parallel compression unless you're talking about using the dry signal to put back a little of the dynamics back into the mix (mixing the super leveled compressed signal with the dynamic original one). It’s because you process the whole vocal and the reverb as well when you apply effects on the mixer track if you apply the reverb as an insert hence causing muddiness in the mix. Production. Let me show you how to use this technique. However, we are on the topic of vocal compressor plugins. Parallel Processing is a tool to expand your creativity, and allows you, as this post title says, to make a thicker/fuller audio track. Some key concepts to follow when using Parallel Compression on things like Vocals is using a higher than normal ratio (I like to use a ration of between 8:1 and 20:1), a slower attack than normal, and a very fast release. We have a new and amazing rewards system! ", “I use W. A. Production’s samples in a lot of my tracks, they are very high quality and great help when needing some inspiration! Please don’t hesitate to email me (pete@mixbetternow.com) with any questions and be sure to leave lots of comments below! Production covers everything from catchy loops and midi files to sick sylenth presets!