Step (3): On the Ease of Access Center windows, click on the Make the keyboard easier to use link option in order to adjust settings for the keyboard. In addition, I find that a number of keyboard patches (organs, for example) appear heavily compressed to begin with. In the previous illustrations, a set of vintage compressors are briefly examined. ), On Your Wedding Day – A 2018 Korean Movie That Made Me Fall in Love & Heartbroken Once Again, So We Jammed Again: Of Heavy Load and Long hours of Post Production (July 11). This is quite a common technique “Let it be” by Beatles. Cut -6dB 2000Hz or 3000Hz Q=1.4 (this will reduce frequency masking problems with the vocal and guitar frequencies). Cutting much higher than 200Hz removes a lot of bass in the piano; which can be detrimental to the track especially if the piano has a lot of bass. As before, the objective here is for you to quickly pick up a few settings and experiment with your tracks. 2.) Attack: 100–105 ms. Release: About 115 ms. Gain: Adjust so that the output level matches the input level. We'll assume you're ok with this, but you can opt-out if you wish. Otherwise if the mix consists of only a piano and vocals (from start to finish), then this is not necessary because you need the bass from the piano to support the song. This 200Hz can be adjusted between 100Hz and 250Hz depending on the piano track. A lot of factors can influence the sound of the piano during recording: 1.) For example, if you place the piano at the corner of the room, it will tend to have more “bass” sound than if the piano would be recorded in the center of the room. But if the entire piece of music is a piano solo (such as classical piano music pieces); there is no need to apply any EQ. These cookies do not store any personal information. Smaller rooms have warmer sound. Acoustic room treatment of the room where the piano has been recorded. These EQ settings are not permanent for all piano mixing scenarios. Larger rooms add more reverb. If the piano is being used as an accompaniment, it can harder to mix that piano with vocals together and these two occupy the same frequency spectrum. 2. You can read the following articles below relating to room treatment and how it would influence the sound: Absorption vs. Diffusion in Home Studio Acoustic Room Treatment. Title Bitter-sweet) – A Doodle, Under the Merlion’s Watchful Eyes One Man’s Attempt to Steal a Heart – A Doodle, Random Post – Bizarre Hello Kitty & Aggretsuko Beer, Hamilton & F1 2020, Henna & Coffee and D3 Season 21, A Recovered Travel Journal of Spain Holiday in May 2011, Leave Diary D12 – Converting My Car in Singapore from Normal to Off-peak (And It Was Tedious! Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. That said, here’s a brief review: 1. The main objective is to let the piano tracks shine without causing any trouble with the rest of the instruments such as guitar and vocals. 3.) Compression Settings For Guitars, Keyboard, Drums, and Vocals In the previous illustrations, a set of vintage compressors are briefly examined. If you are recording track-by-track, you may wish to choose a compressor setting that is more appropriate to your instruments. But opting out of some of these cookies may affect your browsing experience. Well, if an organ patch is done correctly, there won't be any need for compression. Testing Room Acoustics and Analysis Tutorial for Home Recording Studio. Step (2): Now from the Control Panel menu list, select Ease of Access menu and then click on the Ease of Access Center option. This website uses cookies to improve your experience while you navigate through the website. If you are planning to produce a song with piano, it would be much better to use chords than an arpeggio accompaniment. (adsbygoogle=window.adsbygoogle||[]).push({}); Copyright © 2009 – 2020 Emerson R. Maningo Music Publishing. Reverb 4.) A “smooth” compression setting (you can experiment this depending on your mix, so use your ear) in piano can be: Threshold= -8.0dB Compression ratio: 3.5:1 Attack time=10ms Release time=1,000ms Output gain= 0dB. Categories: Music Mixing. If you set the attack and release times of the compressor so it breathes with the track, the less likely you’ll hear it working in the track. b.) Necessary cookies are absolutely essential for the website to function properly. 3. Piano is one of the most common instruments you can find in pop and in producing country music. I pick these settings mainly because of the materials I have – a live recording of our jamming session. It would be highly advisable to use a parametric EQ to find the “sweet spot” of any musical instruments. Tags: Audio mixing EQ tips, Piano keyboard music production techniques. So if you have a bass guitar and kick drums in your mix, this is an important setting.