1st note is always tonic, 2nd is supertonic etc.) The Bb Lydian is a mode of the F Major Scale. For example, if you’re in the key of F major, the fourth note in the scale would be a Bb, but in the Lydian mode it becomes a B natural. Since this mode begins with note Bb, it is certain that notes 1 and 13 will be used in this mode. © 2020 Copyright Veler Ltd, All Rights Reserved. Bb Lydian is the fourth mode of the F major scale; Bb Lydian Scale Notes: Bb C D E F G A Lydian Scale Formula: 1 2 3 #4 5 6 7 Lydian Scale Intervals: W W W H W W H B flat Mixolydian scale for guitar. The only difference is that Lydian raises the fourth note in the scale. This step shows the notes when descending the B-flat lydian mode, going from the highest note sound back to the starting note. Altered Lydian scales. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. One or more note in this mode has a sharp or flat, which means that this mode has been transposed to another key. Note 1 is the tonic note - the starting note - Bb, and note 13 is the same note name but one octave higher. So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic. The lydian mode shares the same property - it only has one semitone / half-tone between the 7th and 8th notes. Notice the B FLAT hence the Major. This step tries to assign note names to the piano keys identified in the previous step, so that they can be written on a note staff in the Solution section. See diagrams at Standard Guitar. G is the submediant of the scale. This can be seen by looking at the Mode table showing all mode names with only white / natural notes used. Also known as the overtone scale or acoustic scale, because it is close to the first seven pitches in the natural overtone series. The Solution below shows the B-flat lydian mode notes on the piano, treble clef and bass clef. B flat Lydian scale for guitar. Finding a parent scale, From E Flat 7 going to A Flat major 7th we would employ the D Flat Lydian mode due to the G natural or #11 of the D FLAT LYDIAN to modulate to A flat major 7th. Lydian Dominant Scale in B flat is a major scale with sharp fourth and flat seventh intervals. The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names.. For a quick summary of this topic, have a look at Mode. Finally, Horizontal Scales. Or we could play it starting on the 10 th fret, which would give us the D major scale: Try playing the scale yourself in a few different positions that haven’t been covered so far. See diagrams at Standard Guitar. This step applies the B-flat lydian mode note positions to so that the correct piano keys and note pitches can be identified. PART 2 Final Analysis The Lydian Chromatic Scale and best explanation from “Wikipedia” Finding a parent scale, From E Flat 7 going to A Flat major 7th we would employ the D Flat Lydian mode due to the G natural or #11 of the D FLAT LYDIAN to modulate to A flat major 7th. Finally, Horizontal Scales. For a quick summary of this topic, have a look at Mode. B-flat lydian mode. These are identical to the Lydian except for the raised second and raised fifth. , but obviously the note names will be different for each mode / key combination. PART 2 Final Analysis The Lydian Chromatic Scale and best explanation from “Wikipedia” The Solution below shows the B lydian mode notes on the piano, treble clef and bass clef.. See diagrams at Standard Guitar. The B flat Lydian scale consists of seven notes. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. A B♭ Lydian scale consists of B♭, C, D, E, F, G and A notes. Finally, Horizontal Scales. This scale is also known as: The 4th mode of the F Melodic Minor Scale. F-sharp) or a flat(eg. This is needed to ensure that when it comes to writing the mode notes on a musical staff (eg. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. This step shows the B-flat scale degrees - Tonic, supertonic, mediant, subdominant, dominant, submediant, etc. Bb is the octave of the scale. Notice the B FLAT hence the Major. For these other modes, the 7th note is called the subtonic. B lydian mode. The 8th note - the octave note, will have the same name as the first note, the tonic note. The 1st note of the B-flat lydian mode is, The 2nd note of the B-flat lydian mode is, The 3rd note of the B-flat lydian mode is, The 4th note of the B-flat lydian mode is, The 5th note of the B-flat lydian mode is, The 6th note of the B-flat lydian mode is, The 7th note of the B-flat lydian mode is, The 8th note of the B-flat lydian mode is. Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. It also shows the scale degree chart for all 8 notes. It contains exactly the same notes, but starts on another note. Finding a parent scale, From E Flat 7 going to A Flat major 7th we would employ the D Flat Lydian mode due to the G natural or #11 of the D FLAT LYDIAN to modulate to A flat major 7th. The lydian mode uses the W-W-W-H-W-W-H note counting rule to identify the note positions of 7 natural white notes starting from note F. The B-flat lydian mode re-uses this mode counting pattern, but starts from note Bb instead. For all modes, the notes names when descending are just the reverse of the ascending names. The Bb Mixolydian is a seven-note scale, also called Bb Dominant Scale. This would be the B flat Major scale, because the root note (the first note of the scale) is B flat. This step shows the ascending B-flat lydian mode on the piano, treble clef and bass clef. Then list the 7 notes in the mode so far, shown in the next column. Notice that the Lydian #2 is relative to the Melodic Minor. Here’s the Bb major scale on piano. Notice the B FLAT hence the Major. It is identical to the Bb Lydian except for a minor seventh and it can be displayed as follows: The Bb Lydian b7 contains the same notes as the F Melodic Minor Scale, but starts on another note. The tonic note (shown as *) is the starting point and is always the 1st note in the mode. These note names are shown below on the treble clef followed by the bass clef. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes.