This minimalistic package contains the same genius that Rupert Neve brought to bear on the high-quality vintage recording solutions that made many records famous. As I explained at the outset, these are convenient because they get the job done without external power, and can be driven into pleasant breakup. Controls on this stompbox-style unit include the Acoustic Imaging selector, which gives you an option of 128 pre-loaded images, as well as a bank of 16 user images, which can be downloaded and tweaked with the included software. From phase alignment to leveling, compression and EQ, this step-by-step guide will help get subs shaking and heads bobbing in no time. Dynamics-wise, you'll usually want to keep bass at a consistent level throughout the course of a track to maintain a consistent low-end weight in the mix. The gain stage is a proprietary design called Adaptive Gain Shaping, which allows you to carefully dial it in for a variety of pickups. Compression with Sans Amp Bass Driver DI. This simple box delivers on the cost savings, being the only option on this list under $100. It requires phantom power to work. I used it in a home recording situation with a mid-90s MIM Fender Jazz Bass along with a handful of pedals. You will receive a verification email shortly. Bass cabs aren't the most easily mic'd things on Earth, and by the time the sound person has it turned up high enough to hear, chances are good that all other sorts of noise will creep in, too. Find more Rupert Neve Designs RNDI Active Transformer Direct Interface information and reviews here. Compression is the obvious processing choice for evening out low-end dynamics, particularly with a bass guitar part performed by a human player, which can vary wildly in dynamics from passage to passage. Finding good compression settings for bass to get a tight and solid low end can be a mystery if you’re new to mixing. If you’ve got just a little more to spend on the ultimate in pedal-based bass DIs, you might also consider the Darkglass Microtubes B7K Ultra, which might be the ultimate refinement of the genre. 100% Upvoted. By their very nature, they're not sensitive to ground hum or interference, the latter of which is thanks to transformer shielding on good quality units. You could also go for the newer Align Series Active DI, which foregoes EQ options for a straight-up, high-quality DI. Receive news and offers from our other brands? Functions include a -15dB Pad switch, a ground lift, a high-pass filter, polarity reverse, and a merge button that converts the Input and Thru jacks to left and right inputs which are output to mono via the XLR. Find more JHS Colour Box information and reviews here. The other switch controls a Mute, which triggers the built-in tuner. That is now the essence of your tone. The two jacks on the input side can either be used as an In and unbalanced Out for your amp, or as stereo inputs. Within that, there are two Tune knobs to control the sweep of the Low-Mid and High-Mid bands for further tweaking. But be aware of the dangers of compression, as well. share. Bass guitars are often just DI'ed, but the contribution of an amp should never be underestimated in terms of saturation, drive and the simple act of shifting air and recording it. The major downside of passive DI boxes is that they can load low-output passive pickups. If you need to send a PDF to yourself or someone else but it’s too large to attach to an email, you can reduce PDF file size for free using our online PDF compressor without sacrificing the quality of your PDF files. The first part of our tone comes from the instrument itself. Want to save a few bucks? Enjoy! There’s a +10dB button for the effected 1/4 inch out, and a -20dB button for the XLR out so you can dial it in exactly for your setup. Try an Attack of around 3ms, so as not to choke the transients, and a medium-to-fast Release (somewhere in the region of 200-400ms), set slow enough to avoid the unpleasant distortion that very fast release times can introduce.