Congratulations, you have set the attack time. It’s a digital imitation. P.S. Attack: Attack ist die in ... Dieser Typ wird häufig auch als Singleband-oder Einband-Kompressor bezeichnet, was aber technisch ungenau ist, da ein Singleband-Kompressor durchaus nur in einem eingeschränkten Frequenzbereich arbeiten kann. However, using a slow attack time can make uneven performance dynamics worse. Regarding the attack times, I think there is no standard, or at least not many use one. These settings should get you started. I’ll assume that you are using a modern compressor with a full set of controls. Just like any other types of attacks you can attack something fast or slow. Effects like the delay often have a "time" or "delay time" knob that alter the time until the delayed "reply" appear. Let’s take the case of a picked acoustic guitar. On the other hand, if the attack time is too long, too much audio will have passed through before the compressor has time to react. Release time– the time it takes for the compressor to bring up the level to be the same as the input level was before any compression started to take place. Intro. I hear this everywhere, from home studio enthusiasts to professional studio owners and music educators. You don’t want the signal to sound obviously compressed. That can be useful. If you give it an audio signal of 2dB above the threshold the compressor will start to react immediately with no delay (independently of attack time setting) and (in a slope) reach the point of 1dB of compression after 100ms has passed. Get the Audio Masterclass Newsletter, subscriber-only info and special offers too... FREE EBOOK - Equipping Your Home Recording Studio, How to add gated reverb to a snare drum using VerbSuite Classics, How to use the gain reduction meter in a compressor like the Warm Audio WA-2A Opto Compressor, Choose the mics and preamps that will get the best sound, Know which DAW and plug-ins get the best results, song after song, Choose monitor speakers and headphones that help you get the best mixes and masters, An investigation of the pre-delay parameter of the Lexicon 480L reverb plug-in, Add reverb to your recordings using the natural echo chamber technique, Why you should ventilate your home recording studio, Gain make-up: Whatever brings the compressed signal up to the same subjective level as when the compressor is switched out. Tip #1: Slow Down The Attack Time. If you take the time it takes to attack away from the attack it is no longer an attack. Maybe you could argue that the ratio control also alter the smoothness but that's not really what we're talking about here. So how does the attack time actually work? Then back off a little. The attack time defines the time it takes the compressor to decrease the gain to the level determined by the ratio once the signal overshoots the threshold. Time-Constant Position #2; Attack time = 0.2 ms, Release time = 0.8 seconds (or 800 ms). This is a simple guide, so I’m going to simplify. Your email address will not be published. The attack time is the time the compressor takes to reach full compression (set by the ratio) after it passes the set threshold. To be more exact, Attack is the amount of time the compressor takes to fully compress the signal based on the compressor’s other parameters (threshold, ratio, etc.)”. Maybe it's just bad communication but I thought that it was worth looking into. It seems that this misconception of the attack time sometimes could just be a result of poor descriptions or maybe just a bad choice of words. What you want is for the compressor to respond as soon as the signal rises above the threshold level. (adsbygoogle = window.adsbygoogle || []).push({}); Copyright © 2000 - 2020 Imaginative Resources Ltd. and licensors. Keep reducing it until you notice that the starts of the notes sound odd. This site uses Akismet to reduce spam. The function would in this case work equivalent to a delay and should rather be called something like ”hold time” or ”waiting time”. It controls how long it takes for the compressor to kick in after a signal exceeds the threshold. What about a snare drum? If the attack time was present it would have made a smoother transition after the threshold. Do you intend to soundproof your... (adsbygoogle = window.adsbygoogle || []).push({}); So the attack time here, when it’s on the fastest setting, this is going to be one millisecond. With a vocal, there isn’t often such a rapid transient, so you have more leeway. Some manufacturers call it something else (like just fast/slow) to stay away from the confusion. B. oft zum … "Attack time, the amount of time the compressor waits to start working” There are two ways to get around this: The first is to put a hi-pass filter in the compressor’s sidechain so that it’s detector is only “listening” to the high frequencies.